{"id":17807,"date":"2026-06-13T11:05:38","date_gmt":"2026-06-13T11:05:38","guid":{"rendered":"https:\/\/cepic.es\/?p=17807"},"modified":"2026-06-20T18:49:01","modified_gmt":"2026-06-20T18:49:01","slug":"cho-liang-lin-dorothy-delay","status":"publish","type":"post","link":"https:\/\/cepic.es\/en\/cho-liang-lin-dorothy-delay\/","title":{"rendered":"Cho-Liang Lin. Inside Dorothy DeLay’s Studio: The Art of Teaching"},"content":{"rendered":"
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Cho-Liang Lin<\/span><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Inside Dorothy DeLay’s Studio: The Art of Teaching<\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\tRegistration from 1 September<\/span>\n<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Sunday 4 October\n4 p.m. - 8 p.m. (CEST)<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Online<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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English (Spanish subtitles)<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Violin and viola pedagogy<\/p>\n\t<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\tTeacher<\/span>\n\t\n\t\t\n\t\t\t\t\t\t\t+\n\t\t\t\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t-\n\t\t\t\t\t\t<\/span>\n\t<\/span>\n<\/h3>\n
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CHO-LIANG LIN<\/b><\/p>

Read bio<\/a><\/span><\/p>\t<\/div>\n<\/div>\n

\n\tDescription<\/span>\n\t\n\t\t\n\t\t\t\t\t\t\t+\n\t\t\t\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t-\n\t\t\t\t\t\t<\/span>\n\t<\/span>\n<\/h3>\n
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This session with the great violinist and teacher Cho-Liang Lin explores the pedagogical approach of his own teacher and mentor Dorothy DeLay, focusing on the principles and methods that shaped her approach to violin pedagogy. Topics may include psychological aspects of practice and performance, posture and physical setup, right-hand and left-hand technique, sound production, intonation, musical interpretation, and communication with students.

The presentation highlights how these elements functioned within her teaching approach and contributed to a distinctive and influential pedagogical style that helped shape generations of violinists, including Itzhak Perlman, Gil Shaham, Midori, Sarah Chang, Cho-Liang Lin himself and concertmasters of the main North American orchestras.

Participants are encouraged to have their instruments at hand and are invited to ask questions, which will enrich our collaborative learning environment.<\/p>\t<\/div>\n<\/div>\n

\n\tWho should attend?<\/span>\n\t\n\t\t\n\t\t\t\t\t\t\t+\n\t\t\t\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t-\n\t\t\t\t\t\t<\/span>\n\t<\/span>\n<\/h3>\n
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This workshop is for violin and viola teachers, advanced students with an interest in pedagogy, as well as anybody interested in its content.<\/p>\t<\/div>\n<\/div>\n

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On the day after the workshop at 9 a.m. (CEST), participants will receive private access to watch the recording during the next week, until Monday 12 October at 9 a.m. (CEST). This access is protected with password and IP identification.<\/p>\t<\/div>\n<\/div>\n

\n\tCertificate<\/span>\n\t\n\t\t\n\t\t\t\t\t\t\t+\n\t\t\t\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t-\n\t\t\t\t\t\t<\/span>\n\t<\/span>\n<\/h3>\n
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To obtain a certificate of attendance it is necessary to attend the workshop live and to be in front of the active camera for at least 80% of the total time.<\/p>\t<\/div>\n<\/div>\n

\n\tConditions of enrolment<\/span>\n\t\n\t\t\n\t\t\t\t\t\t\t+\n\t\t\t\t\t\t<\/span>\n\t\t\n\t\t\t\t\t\t\t-\n\t\t\t\t\t\t<\/span>\n\t<\/span>\n<\/h3>\n
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  1. Places are limited and will be reserved by strict order of application.<\/li>
  2. When the workshop is full, the application form will not be available, but you will be able to sign up for a waiting list in case a participant drops their place.<\/li>
  3. Taking pictures and the complete or partial recording of this course by the participants are forbidden, as well as its reproduction or broadcasting.<\/li>
  4. Without prejudice of the right of withdrawal, the fee is not refundable. The place cannot be used by a different person, or for any other course or other editions of the same course.<\/li>
  5. Within fourteen calendar days from the date of your registration, you have the right to withdraw from the contract without justification. To exercise the right of withdrawal, you must notify Andr\u00e9s Ortiz Sa\u00faco, with address in Avenida del Manzanares, 202, 1\u00ba B, 28026 Madrid, phone number +34686381692, email address info@cepic.es, before the expiration of the aforementioned period, of your decision to withdraw from the contract through a unequivocal statement (for example, a letter sent by post or email). You can use the model withdrawal form that is provided at the following link<\/a>, although its use is not mandatory. In case of withdrawal on your part, we will refund all payments received from you without undue delay and, in any case, no later than 14 calendar days from the date you inform us of your decision to withdraw from the contract.<\/li><\/ol>\t<\/div>\n<\/div>\n<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    \n\t\t\t\t\t\n\tRegistration from 1 September<\/span>\n<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Violin and viola pedagogy<\/p>","protected":false},"author":1,"featured_media":17813,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/posts\/17807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/comments?post=17807"}],"version-history":[{"count":19,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/posts\/17807\/revisions"}],"predecessor-version":[{"id":17887,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/posts\/17807\/revisions\/17887"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/media\/17813"}],"wp:attachment":[{"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/media?parent=17807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/categories?post=17807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cepic.es\/en\/wp-json\/wp\/v2\/tags?post=17807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}